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Opus Dating Master: Find the soul of the hotel lobby lighting design
Recently, the 8th Station of the 8th Lighting Weekly China Lighting Application Design Competition (Zhu Rong Award) came to the Westin Shenzhen Yitian Hotel. In Pengcheng, known as the “City of Designâ€, more than 240 designers from the city and surrounding cities attended the event.
As the star of the event, the “Op··························································································· Pan Zhanjun, the two masters conducted a high-level dialogue on “Lighting Design in the Hotel Lobby†and commented on the works of the on-site designers.
Wen Hongchang said that the hotel is a place where commercial space and residential space are integrated. Specific to the hotel lobby, when lighting design, should consider the superposition of three levels of lighting. Wen Hongchang talks about the necessity of ceiling lighting from the average height of the Chinese people. On the basis of functional lighting, the hotel lobby usually has some key lighting for the display; the third floor is a pure decoration for corporate promotion. Lighting. The superposition of these three layers of lighting is the top priority for interior designers and lighting designers.
Pan Zhanjun directly used the Chengdu Wanda seven-star hotel as an example to share the story of the interior designer's proposal and adoption. He said that at the beginning, there were some furniture and sporadic works of art around the curtain wall, but the curtain wall was the part that should be highlighted, and the theme and soul of the entire hotel lobby. Therefore, "we will give suggestions to interior designers from the perspective of lighting, and finally show such an effect."
Pan Zhanjun said that every project should "first find its soul, then apply design and technology to it."
Like the other sessions of this year, the highlight of the “Oppu and Masters†at the Shenzhen Station was an interactive session. Three young designers took the stage to share their designs and communicate with the two guests.
Pan Zhanjun here affirmed a young designer from Shenzhen Lighting Design Company: "The design of the ceiling and chandelier is bold, but you should be bolder." Pan Zhanjun suggested that he cancel the circle of lights around the chandelier in order to "be in Visually giving the illusion that its width can be extended further."
Pan Zhanjun said that energy-saving lighting is not only a transformation from traditional light sources to LED lights, but also in every design detail, including the layout of lamps.
Wen Hongchang agreed with him. He said, "I personally pursue energy conservation, and we think that every lamp is useful. On the other hand, if a lamp can't play its role, we won't put it on. Just as Ou Pu commercial lighting always adheres to the concept of “creating value with light†when serving customers.
At the same time, Wen Hongchang mentioned here that only the senior lighting designers will pay attention to the details, that is, for construction considerations, when the same lighting effect can be provided, the square wall washer is often chosen instead of the circular wall washer. Round wall washers are often chaotic in a row, and square wall washers generally do not."
This is the difference in thinking between interior designers and lighting designers when it comes to spatial structure layout. In addition, Pan Zhanjun added: "An excellent interior designer has a lighting concept. This concept may be specific to a partial wall, or a space. But the lighting designer will consider the entire hotel system from the design of the project. The application of the concept to the final lighting will be more professional."
(Text / Op business photos)